Un Jardin Après La Mousson is the latest and third fragrance installment in the Jardin series proposed by Hermès and created by in-house perfumer Jean Claude Ellena. Following Un Jardin en Méditerrannée and Un Jardin sur le Nil, Un Jardin Après La Mousson (A Garden After The Monsoon) aims to capture the spirit of a place and lift a stone of the vegetable world that was left unturned. Hence the concerted effort, like that of some painters' - Gauguin comes to mind but perhaps even closer to Ellena's world, Cézanne - to travel or go to the mountain (Mont Victoire), and observe the world in a different light.
Like its scent predecessors, Un Jardin Après La Mousson is based both on original empirical impressions garnered in situ by displacing the nose to a more or less distant locale and, if we are to believe Ellena, in the end, discarded in order to make room for the perfumer's own free movement of interpretation. He recently said that he does not care about reality.
Despite this pronouncement, to be clarified, usually what Ellena retains from his peregrinations is a novel, out of the ordinary smell that will anchor his composition. For Bois Farine by L'Artisan Parfumeur it was a a tree in the Reunion, a species whose red flowers diffuse a flour-like aroma.
The fragrances in the Garden Series all showcase a fleshy fruit (fig/prune, mango, cantaloupe/watermelon) that gives way to a transparent, watery impression. With the latest Un Jardin Après La Mousson, the least easy and most complex of the garden scents, one encounters a delightful realignment of well-known ideas and sensations that gives in the end an unexpected and very original fragrance. The variegated nature of the scent, yet its harmonious tonality makes you think of a kaleidoscope reshuffling white, transparent, green, and blue crystals -- the colors of Impression, Soleil Levant.
The felt plurality of the sources of its inspiration conjures up the vision of a page from the Moleskine notebook Ellena uses and in which different ideas are noted down and worked upon. The result is very idiosyncratic and full of perfumery quotes. The scent is in a Hermès bottle but could easily be poured into a Comme des Garçons one instead and touted as avant-gardiste.
Ellena has made apparently contradictory statements about his more or less essential need for nourishment coming from the real world. There is for him a need for an olfactory trigger of inspiration on the one hand - the aromas of teas at Mariage Frères (Eau Parfumée au Thé Vert), the natural licoricey facet of turmeric (he could have used it for Brin de Réglisse had he encountered it sooner), the smell of a grove of green mangoes in Egypt or fig leaves on a tray at a cocktail party in a Mediterranean garden - and his professed absolute disregard for slavish olfactory copies of the empirical world on the other hand.
Impression Soleil Levant, the painting that gave its name to Impressionism
One way to understand the seeming fundamental tension that Jean Claude Ellena seems to point to in his relationship to the natural world - both seeking it out and rejecting it - is to liken his approach to that of Marxists..... just kidding......the Impressionist school of painting. Like these painters who were mobile painters, the perfumer feels an urge to come in direct contact with the objects he will paint, look for them in open places, dig them out perhaps more so since olfactory objects can be unseen and are less well known and cataloged - try knocking on the door of the local tourism agency and asking them what is there to smell in the region? - and in the end filter them through his own impressions.
The watercolor-like texture of his Jardin perfumes invites this comparison further, making you think of the lilies on a pond series of Claude Monet and suddenly making you realize also that the vegetal motif on the packaging of Un Jardin sur le Nil is not unlike them. Monet was after all dubbed a poet of gardens and water. Next a composition centered around the garden of Giverny would seem appropriate and natural. However according to Le Nouvel Observateur, Un Jardin Après La Mousson "brings the water trilogy to a close.".......
Continue reading "Hermès Un Jardin Après La Mousson (2008): A Strange, Original Tapestry of Familiar Accords {Perfume Review}" »
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