Perfume Review & Musings: Quadrille by Balenciaga
Quadrille is a perfume from the 1950's. More precisely, it was introduced in 1955. The date appears little relevant in this case because I think that its creator was more interested in expressing atemporal qualities such as natural elegance, refinement and I would even say more unexpectedly, courage. A recent fragrance like Agent Provocateur connotes much more of the 1950s period to me.
What I particularly appreciate about this perfume is that despite it being marketed towards women it successfully avoids the pitfall of encoding or stereotyping womanhood into a perfume. The fragrance is very well balanced including both traditional feminine and masculine aromatic codes. Thus, it is a mix of dryness and sweetness, of spiciness, frutiness and floralcy, of austerity and sensuality. I could perfectly see a man wearing this perfum; he would only need to apply it more lightly...
There is a sense of balance in it that is similar to the type of aromatic balance that can be found in Jicky by Guerlain except that Quadrille is even drier and less sweet. Jicky was initially created as a unisex fragrance in 1889 and I think that Quadrille can also be easily considered as a unisex fragrance.
The name is a little puzzling to me as I am not certain whether the word "quadrille" is a reference to a dance that was popular in the 19th century or to the meaning derived from the Spanish term "cuadrillo" used to designate the party of four people helping the "torero" during a bullfight. Judging by the aroma of it, I lean towards the evocation of a bullfighting ring rather than a ball dance room. Originally from Spain, Balenciaga sought inspiration in the culture of Spanish tauromaquia and, in particular, in the "jacket of light" worn by matadors. In 1947, he created boleros as evening clothes for women that were directly inspired from it. One can note that he turned a masculine outfit into a feminine one because of the dominant sartorial code. I am further encouraged to contemplate this idea as I see the perfume as embodying both traditional feminine and virile virtues.
It evokes to me the symbolic character of the toreador who represents, at once, a feminine and masculine figure. The torero is dressed in a tight-fitting, luminous, colorful, and elaborately embroidered costume, in an era when masculine costumes are of a limited color palette and bear no frills, holding a cape that appears almost like a feminine skirt with its flowing lines. The lines and the colors are feminine. The toreador wears dainty ballerinas and brightly colored stockings. At the same time, the toreador is wielding a sharp sword to kill the bull. There is, to me, a yin and yang balance in tauromaquia, because it is both a graceful, feminine dance and a masculine, martial confrontation with death. A fascinating insight I got into the art of the corrida was when I saw how toreadors actually talk to the bull they fight, and sometimes very softly so, accentuating again this mix of the masculine and the feminine. Ultimately, in the corrida, these distinctions evaporate because what is left is the universal human confrontation with the idea of death.
Quadrille is such a perfume. It says, "I am ready", it puts its foot down. May come what may, the person who is wearing Quadrille is determined, ready to confront all situations and be at ease in any one of them, in other words, that person possesses natural elegance.
Like the corrida and the matador, the perfume is both rigorous, disciplined, and artistic. Its gendered characteristics give way to the expression of a moral character.
Quadrille is sometimes classified either as a fruity chypre or as a fresh-mossy chypre; in truth, it is both. At the start of the perfume, there is a very distinct licorice accord which moves later to the background of the notes, but will not leave the perfume. The fragrance seems to be of an amber color with touches of deep licoricey black and later, a transparent blue-green breath of fresh air will appear above the base notes.
After the initial outburst of licorice, the perfume becomes slightly sweeter and definitely fruitier. I can detect plum and a little later, peach. It smells slightly sour and sweet, like prunes do, as in Parure by Guerlain or Femme by Rochas which have also characteristic plumey chypre notes. A discreet jasmine floral note emerges but fruits remain the dominant accord. The perfume thus warms up, expands, but at the same time appears structured, controlled due to austere, dry notes: the clove and the cardamom. It really smells of aniseed and/or licorice. As the perfume reveals its character, its metal, if you will, controlling its undeniable sensuality, it encourages mental focus in the perfume-wearer. This last characteristic is also an intrinsic element of the corrida; the matador offers a rare example of an extraordinary intensity of focus in his play with death.
The drydown is warm, sensual and a bit dark due to the licorice background. At some point, you start catching a breath of fresh air hovering above the amber and musk, probably the green part of the aniseed. On good days, the aniseed maintains its green character and releases a strange and seductive accord in the drydown. It is strange because it contributes to a mixed effect of cold and warmth. The spices are sometimes so dry, I can almost hear them crepitate, like the clove in the kretek cigarettes.
Quadrille may turn off some people at first who will find the licorice, clove, and cardamom too much to handle, but it is undeniably a distinctive and elegant fragrance which develops a superb, sensual drydown.
Notes are lemon, plum, peach, clove, cardamom, jasmine, amber, musk...
I realize now that nowhere is an aniseed note mentioned, so either I'm off or it's an accord.
You can buy the perfume, starting at $21.99, at 1st Perfume.
Bolero by Balenciaga
Torero VI (salmón y oro) by Pedro Moreno-Meyerhoff
oil on wood panel
2003-2004.
Image is from www.arco.ifema.es
Previous Posts in Perfume Review & Musings:
Perfume Review & Musings: Sous le Vent by Guerlain
Perfume Review & Musings: Armani Code Pour Femme by Giorgio Armani
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Comments
What a great review! I always wondered why it is called "Quadrille," and your review tying the corrida to the perfume and its notes makes absolutely perfect sense.
I just wish Quadrille smelled good on me. I have tested it twice now, but to no avail. It hates my body chemistry! :):)
Hugs!
Posted by: violetnoir | June 6, 2006
It's definitely not an easy perfume to wear -- I think that if it didn't mellow down on me, it would be a bit much.
You'll find some good ones:)
I find that it's worth trying to sleep with the perfume on to see how it all comes together after that.
Posted by: Mimi | June 6, 2006
This review is very well done. It gives me something to sink my teeth into in understanding quadrille. I haven't yet had the pleasure though I have meant to do so. Thank you for the eloquent reminder.
Posted by: Cait | June 6, 2006
Thanks!
You know, I'm going to get a bunch of vials and if by the time they arrive you're still interested, I'll send you a sample of it. I'll email you:)
Posted by: Mimi | June 6, 2006
This is my site:
http://s-url.net/0ofz
Posted by: Coach | February 1, 2007
this is a great review! this was my 1st serious perfume which i chose for myself in my early 20s, about 30 yrs ago. not sure how i found it! i bought it in san francisco, where i am from, and now live near paris...and can't find it!! i do not know 1st perfume but will try there. any other ideas? thanks a lot
Posted by: lisa | February 7, 2008
Thanks! I saw it at Perfumebay at a good price. They are not the fastest ones to ship but their products are reliably fresh in my experience.
Posted by: Marie-Helene | February 7, 2008
I, too, discovered Quadrille more than 40 years ago. The girl sitting next to me in a college class was wearing it. I literally swooned and wore it ever since, until it became impossible to find here in USA. It has been all too many years since I have been able to find it, but it remains my favorite.
Posted by: Jane | July 13, 2008