The Knize Ten by Knize {Perfume Review & Musings/Part II} {Fragrances of Paris}
Knize Ten may have have had you expectant that it would hold the door for you and show off its perfectly pressed creases on its gray pearl pants while giving off "just the proper hint of Gentleman's Knize Ten cologne" as Patricia Soliman writes in Coco, The Novel, yet it suddenly morphs into a rococo, baroque form, a whirling ball gown under which some mirror-like shiny leather patent shoes peak and it suddenly is less Knize Ten and more Bal à Versailles created much later in 1962. The kinship is uncanny. It is that same treatment of the mosses and animalic odor di femina. But it could not have happened in the order we presented it to you. So what did take place? Little by little as the perfume unfolds, another familiar dancer appears that reveals yet another layer of historicity peeling back. Knize Ten becomes more clearly suffused with the golden light and round fruity peachy and plummy accents of Mitsouko by Guerlain introduced in 1919. This is a moving moment because Knize Ten now smells more like the ancient Mitsouko than the current Mitsouko itself. It has preserved this old gilded opulence and sillage of old Europe and sense of ideal Parisian elegance that have receded from Mitsouko.......
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