The Buzz

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My 2009 Halloween Shopping List

Marilyn Miglin Fo-Ti-Tieng

The Body Shop Love Etc.

Fall Fragrances: Cornucopia of Dark Fruits

L'Occitane Labdanum de Séville, Mimosa de l'Estérel

Robert Piguet Futur

Kate Moss Vintage

Frapin L'Humaniste

Patriotic Bestseller Perfumes: Discuss

Faguenat, Faganat...Fug?

Sniffing Rich Orientals in Paris

L'Artisan Parfumeur Havana Vanille

Dolce & Gabbana Rose The One

Guerlain Idylle - Part 1

Guerlain Idylle - Part 2

Kat Von D Saint & Sinner

Calvin Klein CK Free for Men

Mariah Carey Forever

WienerBlut Klubwasser

Prada L'Eau Ambrée

Serge Lutens Fille en Aiguilles

Britney Spears Circus Fantasy

Yves Saint Laurent Parisienne

Idole d'Armani

Guerlain Aqua Allegoria Tiaré-Blossom, Cherry Blossom

Hermès Eau d'Orange Verte, Eau de Pamplemousse Rose, Eau de Gentiane Blanche

Parfums de Nicolaï Weekend à Deauville

Serge Lutens Fourreau Noir

Essential Faith

Penhaligon's Anthology: Eau de Verveine, Extract of Limes, Gardenia, Night Scented Stock

Mac Naked Honey & Africanimal

Chopard Cascade

Lancôme Hypnôse Senses

Juliette Has a Gun Midnight Oud

Narciso Rodriguez Essence

Queen Latifah Queen

Benefit Laugh With Me LeeLee, There's Something About Sofia, My Place Or Yours Gina

The Body Shop White Musk White Hot Summer

Rochas Eau Sensuelle

L'Artisan Parfumeur Côte d'Amour

Chloe Eau de Parfum

Guerlain Les Fleurs du Guildo: An Early 19th Century Precursor of Marine Scents

Lush Vanillary

Byredo Bal d'Afrique

Zadig & Voltaire Tome 1 La Pureté - Part 1

Zadig & Voltaire Tome 1 La Pureté - Part 2

Guerlain Muguet

Guerlain Muguet (en français)

Spring Notes: Lily of the Valley & Dior

Chanel Cristalle Eau Verte

Christian Dior Escale à Pondichéry

Frédéric Malle Géranium pour Monsieur

Gobin-Daudé Sous Le Buis

Roger et Gallet Bois d'Orange

Montale Patchouli Leaves

Stetson All American

Stephen Jones by Comme des Garçons

Givenchy Harvest 2008: Ange ou Démon Jasmin Sambac, Amarige Ylang Ylang, Very Irresistible Rose Damascena, Organza Fleur d'Oranger

Yves Saint Laurent La Nuit de l'Homme

Yves Saint Laurent l'Homme

The Sex Factor in Men's Fragrances

Nina Ricci Love by Nina

Hermès Kelly Calèche EDP

Annick Goutal Un Matin d'Orage

Guerlain La Petite Robe Noire

Serge Lutens Nuit de Cellophane

Parfums MDCI Péché Cardinal

Hermès Vanille Galante - Part 1

Hermès Vanille Galante - Part 2


Zadig et Voltaire Tome 1 La Purete (2009): Scent of a Fallen Angel - Part 1 {Perfume Review} {New Fragrance}


zadig-la-purete-ad.jpgAs previously announced, the lifestyle and apparel label Zadig et Voltaire launched their debut perfume this spring 2009 called Tome 1 La Pureté (Vol. 1 Purity). The world is certainly not lacking in new fragrance launches, so why review this one, why even pay attention to this launch? The answer for Zadig et Voltaire fans is probably obvious: the perfume is a new element in the boutique, tester sprays are strategically positioned, why not try?

Barbarella-Angel.jpg
For others, especially the ones suffering from blurred vision after seeing too many perfume bottles in their recent lifetime, there are still four elements that can be both eye-and-ear catching. 1) founder Thierry Gillier associated himself with a perfume house that has a reputation for preferring to err on the side of edgy rather than staid, i.e., Le Labo -- it could be interesting and there must also be a reason why Le Labo is willing to work on someone else's project; 2) The theme of the fallen angel is conceptually and visually if not morally intriguing and possibly translates into an interesting creative olfactory composition - you may choose between visuals of Barbarella (above) and Wings of Desire (below) to whet your appetite;...



3) The packaging is "different" in that it looks and feels like a book, even when you open it. The pages are close to the quality of the "papier bible" found in the volumes of La Pléïade, albeit a bit less fine.

Culled-Out Stories

4) Finally, the promise of a serialized perfume project contained in the name of the perfume titillates the imagination further and hits on a great intuition, the fact that perfumes are also stories offering seemingly culled-out narrative structures, like the culled-out pages of the Zadig et Voltaire book here, to be filled by your own words, emotions and memories. Fragrance compositions thus are like silent stories/movies with very few words but with a welcoming memory-touch texture that can take your imprint. In the empty, blank spaces left by non-utterance, surfaces become more fillable and poetic.

You can just think of those calm spaces and planes of silent movies that invite contemplation, a quality that can also be experienced in the purity of film stills. They are the best moments of a movie, their most touching ones.
 

Wings-of-desire.jpg
My memories in this case go quite a bit in the direction of cinematic references as you can see although none are proposed by the perfume copy itself. I might have been influenced subconsciously by a fictitious perfume called Voltaire No. 6 seen and used as a leitmotiv in the movie The Darjeeling Limited, which I keep thinking is a twist on the image of Chanel No. 5.  Gabrielle Chanel in her old age started to look like the shriveled and valetudinary Voltaire with a similar facial expression, a fact that has always struck me. Or perhaps it is the whiteness of the whole La Pureté concept that looks like the white canvas of a movie screen. The flacon can be interpreted both as blank page and silver screen in its flatness and nudity.

But more importantly, the perfume smells white or rather of different shades of whites from the glaring white of a hospital ward, to the haloed white of a museum gallery or by evoking the feathery whiteness of an angel sipping tea accented with a cloud of milk. The scent has enough question marks and blank spaces and slightly disorienting cues in it to invite you to make up your dream.

Even in the word, that I almost missed at the end of the book, "Patchoulait" (patchouli + milk) I see the same kind of dramatic ending than with the word "Rosebud" in Citizen Kane. A key word is given at the end, almost hidden, nearly overlooked. 

You will have understood that Tome 1 La Pureté is good at setting a context for your appreciation of the scent. But I would have probably never looked inside the book if the perfume did not smell good and "open" enough to invite those associations.

White, as it turns out, is the color of desire and story-making, even in scent form.


Next, Part II: How La Pureté Tells Its Story in Words and Perfume Notes

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