11 Effortlessly Chic Spring Fragrances: The Classics
Here are some suggestions for wearing spring fragrances, in several installments.
Today, we turn to the "effortlessly chic" category. By that we mean that as lighter, fresher perfumes these fragrances tend to dress down a bit, but not overly so. They retain an air of elegance and sophistication about them mixed with a dose of studied nonchalance and casualness.
Why should some perfumes be considered to be particularly appropriate for spring time? Their vernal quality is suggested by their rich yet still frail floral notes, their freshness, and their luminosity speaking of the spring equinoxe and daylight saving time. Green notes that are just a bit crunchy also contribute to this feeling of smelling half-open buds. These scents offer transparent, airy, cool nuances rather than ripe, decaying ones.
When brainstorming about the topic, we had to realize that the house of Guerlain had been particularly committed about offering interpretations of spring perfumes. Nina Ricci too although only one of their scents is mentioned.
This is just a snapshot of a state of desire and daydreaming filled with memories about spring and evocations of some classic perfumes that might represent it best or accompany it best.
1- Diorissimo
No list about classic perfumes embodying the yearning for spring would be complete without Diorissimo by Dior. Composed by master-perfumer Edmond Roudnitska in 1956 it remains a central reference as the lily-of-the-valley fragrance that has come to embody the very spirit of spring for generations of wearers.
It is like drinking muguet-scented champagne on the pristine empty streets of a clean Paris in the wee hours of the morning listening to a party laughter that never ends. You own the city of lights and you own spring. It too could have been called Joy......
2 - Eau de Cologne Impériale by Guerlain
Created ca. 1850 by Pierre-François-Pascal Guerlain for Empress Eugénie de Montijo, the consort of Napoléon III, to help calm her frequent migraines, the Eau de Cologne Impériale is an utterly elegant cologne with an aristocratic flair which evokes aromatic herbs stripped of their plebeian pungency and wrapped in snow-white mousseline and mother-of-pearl satin ribbons. A beautiful cologne blanche.
3 - Jicky by Guerlain
Like Diorissimo is the lily of the valley fragrance par excellence, Violetta di Parma is the violet perfume of choice for many a connoisseur. It was created in 1870 by Italian monks for Maria Luigia of Austria Duchess of Parma who was absolutely passionate about violets and went to great lengths to achieve the perfect violeta odorata scent. It is a green violet perfume that finer palates will appreciate as it eschews the candied overtones. It evokes a brisk morning walk in a forest releasing its fresh-soil and damp-leaves notes.
5 - Après l’Ondée by Guerlain
This is another example of a white, ethereal and pastel-colored Guerlain. Created in 1906 by Jacques Guerlain, it is meant to evoke the countryside after a rain shower. Exquisitely pure and serene, in retreat from the brouhaha of the populace, in a good way.
6 - Eau de Rochas
Created in 1970 by Nicolas Mamounas, Eau de Rochas remains a distinctive fragrance in a sea of new creations. It oscillates between a classic hesperidic cologne and a light chypre. Very pristine in feel. It is under-appreciated.
7 - Fleurs de Rocaille by Caron
A floral bouquet that is slightly dissonant and incongruous and for that very reason chic. Here is not a natural beauty but a cultivated one oozing with the charm of a jolie-laide. A man could pull it off well as Fleurs de Rocaille refuses to be simply pretty. It was created by Ernest Daltroff in 1933. Not to be confused with Fleur de Rocaille by the same house, in the singular.
8 - L'Air du Temps by Nina Ricci
It feels a little bit like a light-hearted rendition of the Sacre du Printemps or a still from Sleeping Beauty by Walt Disney with all the blooms blooming and the little birds twittering and frolicking in the air but it is undeniably and unmistakenly spring when you wear it. It was created by Francis Fabron in 1948. People who are looking for a light carnation fragrance might want to check it out.
9 - Spring Flower by Creed
A spring time perfume that already hints at summer with its fruity green cantaloupe note. Melon, peach, flowers, and sun-kissed skin. Delicate and subtle when the vintage is right (Creed fragrances depend on vintage harvests). It was created in 1951 by Olivier Creed for lovely actress Audrey Hepburn.
10 - Vent Vert by Balmain
Originally created in 1945 by Germaine Cellier, it was re-created in 1990 by Calice Becker. Meaning "Green Wind" it is as green as it gets. If you feel like a sensual roll in the sappy grass of an unmown lawn.
11 - 1000 by Patou
A wonderfully elegant perfume which exudes a paradoxical sense of transparent mystery like a lake with clear waters. It is a bouquet of dewy fragile flowers and sophisticated woods (sandalwood) further refined by the touches of iris and exotic osmanthus. It was created in 1972 by Jean Kerléo.
Previous Posts in Perfume Shorts:
Guerlain Vol de Nuit Evasion (2007)
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Comments
What an informative and valuable post. I have a difficult time determining scents, but you always put me on the right track. Thanks.
Posted by: Girl-Woman | March 25, 2008
Thank you -- I realize I do not write advice-oriented posts often, so I value your encouragement.
Posted by: Marie-Helene | March 25, 2008
God, I love your choice of Diorissimo. People seems to forget (at least around me) how beautiful this perfume is.
Posted by: dee | March 28, 2008
Thank you Dee. I appreciate your kind words. I can only take little credit for that though since it is a rather iconic perfume in France when you think of spring. Especially so since there is the custom of offering muguet flowers on May the 1st.
Posted by: Marie-Helene | March 29, 2008
I enjoyed reading your post on spring fragrances - I own and love apree l'ondee. I was curious to know, since this is now only available in EdT, what strength of most spring fragrances is most appropriate. Diorissimo - I have tried in EdT and couldn't help thinking that the scent would be better served in a stronger concentration.
I'm enjoying your site a lot!
Posted by: Kate | March 30, 2008
Thank you Kate for your kind words.
I actually first experienced both of these scents in parfum concentrations as they were worn as such by a friend and my mother, respectively. I do not know the edt version of Après L'Ondée, yet.
The Diorissimo parfum is richer yet still feels very fresh. I own the edt and have received compliments on it - people asking what I was wearing, so I think that it makes a good impression.
Generally speaking, an edt version can bring subtlety and a certain ethereal luminous quality to a scent, in the best possible sense. A parfum will feel more complex, richer, in the best possible sense. However, I oftentimes prefer edt versions. For example, Samsara by Guerlain smells subtler to my nose in edt than in other concentrations.
Posted by: Marie-Helene | March 30, 2008