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Van Cleef & Arpels Oriens

The Popularity of Clover Aroma and L.T. Piver Trèfle Incarnat in Literature and Perfume since the 19th Century - Part 1 

Like This, Tilda Swinton

The Pure White Trend in Fragrances

Voyage d'Hermès

Three Cherry Blossom Perfumes

Balenciaga Paris Eau de Parfum

Sarah Jessica Parker SJP NYC

Bath and Body Works Twilight Woods

Burberry Sport Women and Men

Guerlain Flora Nymphea

Green Fragrances were Back in 2009 and will Stay in 2010

Valentine's Day 2010 and Beyond: Exploring Musk Oils Part 2

Valentine's Day 2010: Exploring Musk Oils Part 1

Lanvin Jeanne and Jeanne La Rose - Part 1

Les Parfums de Rosine Secrets de Rose

Maison Martin Margiela (Untitled)

Michael Kors Eau de Parfum

Kim Kardashian Eau de Parfum

Annick Goutal Ninfeo Mio

Issey Miyake A Scent

L'Eau Serge Lutens: The Enduring Scent of Anti-Conformism or the Anti-Anti Perfume

L'Eau Serge Lutens: Un Parfum d'Anti-Conformisme qui Perdure: L'Anti-Anti Parfum
 
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Radio Interview with Richard Stamelman {The 5th Sense in the News}

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There is an interview with Richard Stamelman author of Perfume: Joy, Obsession, Scandal, Sin, on the Vermont Public Radio on "All Things Considered".

You can click here to access the talk.

Two quick comments - 1) I don't think that he can generalize and say that before the 1880s there were only single-note floral fragrances....

In fact I am not sure what he means by that because early perfumery manuals reveal the existence of floral perfumes that were composed like bouquets. Eaux de colognes were not soliflores. There was a vogue for soliflores - that lasted into the 20th century by the way- but that does not mean that the pre-1880s were characterized by single-note perfumes.

2) In case you are interested in experiencing an edible perfume, you can turn to Jessica Simpson's Dessert line. Yes, getting to "chew on a perfume" is not just a dream anymore.

Comments

I haven't listened to the link yet but I have read Stamelman's book. It's quite interesting, though much too text-heavy to be a coffee-table book (try reading it in bed or in a couch, ouch!). But it's no really a perfume connoisseur's work: lots of it is really comparative literature. It's more about the written discourse on fragrances than on fragrances themselves. And even so, I would be much more interested in digging up more material in the press of the time, than in reading analyses of Baudelaire and Colette: their texts speak for themselves.
You are of course entirely right about the soliflores: I believe you're referring to Eugène Rimmel's and Septimus Piesse's books, which do indeed offer recipes for bouquets.

It's completely false. It's enough to have a look in perfumer's catalogs (sales) to see that single-flower perfumes were always a separate category. Even in 1820! Then you have the bouquet, then other complex mixtures.
One example of a succes in the early 19th cent. - Mousseline perfume (with vetiver).

I'll reserve my own comments for a formal review of the book.

Regarding the perfumery manuals I had in mind, indeed these two but earlier ones also from the 17th and 18th centuries.

A good reminder is that of the famous eau called l'Eau de Mille Fleurs (the 1000-flower water) that dates back to the 17th century (at least). The name is of course meant to be understood as a hyperbole but it was indeed made of the distilled essences of several flowers.

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