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The Popularity of Clover Aroma and L.T. Piver Trèfle Incarnat in Literature and Perfume since the 19th Century - Part 1 

Like This, Tilda Swinton

The Pure White Trend in Fragrances

Voyage d'Hermès

Three Cherry Blossom Perfumes

Balenciaga Paris Eau de Parfum

Sarah Jessica Parker SJP NYC

Bath and Body Works Twilight Woods

Burberry Sport Women and Men

Guerlain Flora Nymphea

Green Fragrances were Back in 2009 and will Stay in 2010

Valentine's Day 2010 and Beyond: Exploring Musk Oils Part 2

Valentine's Day 2010: Exploring Musk Oils Part 1

Lanvin Jeanne and Jeanne La Rose - Part 1

Les Parfums de Rosine Secrets de Rose

Maison Martin Margiela (Untitled)

Michael Kors Eau de Parfum

Kim Kardashian Eau de Parfum

Annick Goutal Ninfeo Mio

Issey Miyake A Scent

Are You in the Mood for Oud Aromania?

Men's Fragrance Trends Fall/Winter 2009/2010 Part 2: Icy

Men's Fragrance Trends Fall/Winter 2009/2010 Part 1: Fiery

L'Eau Serge Lutens: The Enduring Scent of Anti-Conformism or the Anti-Anti Perfume

L'Eau Serge Lutens: Un Parfum d'Anti-Conformisme qui Perdure: L'Anti-Anti Parfum
 
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How Perfume is Saving Haute Couture {The 5th Sense in the News}


christian-dior-fall-09.jpgAn article in Le Monde summarizes the state of Haute Couture in the aftermath of the Christian Lacroix crisis. The figures are contrasted: haute couture caters to the material needs of a money elite that amounts to about 1000 persons worldwide but is needed as a motor of creation by others. At the same time haute couture would never be able to survive without the revenues that come from perfumes and cosmetics which amount to 60% of its gains...

(on the left, a look from the Dior fall 09 collection via WWD)

Another interesting note is one offered by a consultant to Bernard Arnault the CEO of the #1 luxury group LVMH, which owns fragrance brands like Marc Jacobs, Kenzo Parfums, Parfums Givenchy, Parfums Christian Dior, and Guerlain. Jean-Jacques Picart plainly explains that it is time to realize that fashion is not an artistic profession, but a commercial one and to swtich from the status of artist to that of a merchant.

"L'heure de changer de tactique a-t-elle sonné pour Christian Lacroix, comme le suggère Jean-Jacques Picart, de JJP Conseil ? "L'heure de passer du statut d'artiste à un statut de commerçant, notre métier de mode n'est pas de l'art mais du commerce", précise le consultant auprès de Bernard Arnault, PDG du groupe LVMH, son plus gros client. Les succès ont tous été ceux des créateurs qui ont accepté les règles de l'argent. Non pas en jouant le jeu directement mais en laissant les autres le faire à leur place : des Pierre Bergé pour Saint Laurent, Sidney Toledano pour Galliano chez Dior, ou encore Yves Carcelle pour Marc Jacbs chez Louis Vuitton."

Read more in Le parfum assure la survie de la haute couture...

Thanks to Y for the tip!

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